“I am concerned with how paint can change an image. Is it possible to reveal the process of observing and recording over an extended period of time, like viewing the past through a history of slides, each colouring the one before; experiencing a sort of cumulative vision? A portrait is a representation; it is in essence, something and nothing, a contradiction. Painting seems to emphasise this paradox because of the tension between surface and illusion. I find one disrupts the other; the mind tries to suspend disbelief but is interrupted by the physicality of the paint. I am interested in this friction; the lack of substance that undermines the fine skin of illusionary space. I want to examine representation, to put it under stress, to the point where visual information breaks down, where our sight fails and gaps appear.”
Soldier
Oil on board
60 x 50 cm | 24 x 20 inManeuver Mountain Battle
Oil on boardExecutive Birdman 2
Charcoal on paperExecutive Birdman 3
Charcoal on paper4 Faces
Charcoal on paper
54 x 44cm / 21.6 x 17.6 in)Twin no.1 (diptych)
Oil on board
75 x 60 cm | 30 x 24 inTwin no.2 (diptych)
Oil on board
75 x 60 cm | 30 x 24 inUntitled 1 (Oxblood)
Oil and acrylic on canvas
50 x 60 cm | 20 x 24 inUntitled 2
Acrylic on canvas
85 x 70 cm | 34 x 28 in